Fantasy and fetish formed on a foot, the shoe has never been more important. Sex and the City ushered in a renaissance of Manolos, Louboutins, and Jimmy Choos to Middle America…
Luster Bayless had a warm southern affect, but was fearless. He lived his life in hyperbole, from playing a championship football game directly after appendix surgery to hitchhiking cross country on the promise of a job in Hollywood. Read More
As movies and television follow the stories of content creators, their wardrobes help create a riveting fantasy — while simultaneously sending a message.
The difference between an editorial fashion stylist and a Costume Designer becomes starkly obvious when it comes to outfitting men who don’t fit into average-size clothes.
New York Times:
There’s another Oscar-related clothes issue currently getting Hollywood all worked up: the fight for equal pay being waged by the members of the Costume Designers Guild. Costume designers, who are 83 percent female, are paid 30 percent less than production designers (their organizational-chart peers), who are 80 percent male, according to research from the U.S.C. Annenberg Inclusion Initiative and the Annenberg Foundation. Read More
The New York Times: He was honored for “Travels With My Aunt,” “Death on the Nile” and “Tess.” Also renowned for the outlandish outfits he created for Glenn Close as the evil Cruella de Vil. Read More